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Film Production
Course Outline (BMSO1C144)
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Film Production: Course Outline (BMSO1C144)
This course aims to fill the gap between theory and practice, students work in different positions of the film crew.
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Course Outline (BMSO1C144)
E-Resources
Associations
Course Contents
Film Story & Its Development
Idea Generation and Brainstorming
Developing the plot
Dramatic Structure
Characterization
Symbolism & Irony
Adding Conflict to your story
Writing a story
Handling Film equipment
Camera Equipment 4K Black Magic Camera with Professional Rig, Prime Lenses,(14mm, 24mm,35mm,85mm,)
Lights Equipment: Different Lights, Gels, Spun Reflectors and Scrims.
Professional sound equipment Microphone, Foam and Wind shield Audio recorder. How to balance a Fluid Head Tripod
How to focus effectively using a Focus Chart
How to get the best F Stop
How to use the Zebra
How to frame a shot beautifully
How to pan and tilt
When to use Prime Lenses and when to use Zoom Lens
How to use the Boom Pole
We get you to use all the Sound Equipment
The Shotgun Microphone
The Wind Sock
The Foam Sock
The Pistol Grip
The Boom Pole
Wireless Transmitters and Receivers
Microphones
XLR Inputs on the Camera and why they are so important
Setting the right sound levels.
How to record top class Professional Sound
The Session ends with shooting a professional one minute scene from multiple camera angles and correctly recording Sound
The Lighting Session
The Film Lights
Gels
Blacks
Cutters
Spun
Scrim
Reflectors
How to three point light a film set.
Anesthetics
Point of View
Subtext, Genre, and Archetypes
Time, Structure, and Plot
Space, Stylized Environments, and Performances
Form and Style
Preparing to Shoot – Preproduction
Feasibility and Budgeting
Production Plan
Hiring the Crew
Story boarding
Casting
Acting Improvisation Exercises
Acting Exercises with a Text
Exploring the Script
Actor and Director Prepare a Scene
Rehearsals and Planning Coverage
Production Design/Costume Design
The Preproduction Meeting and Deciding Equipment
Auditions with Actors
Work on the Casting of Actors
Set up the Lights and Camera and operate them
Use the Lapel Microphone on the actors auditioning
Every 10 minutes an actor is scheduled for the casting
Course participants get to direct the actors in the casting
Finalizing Locations for the Film Shoot
All Final Production issues are addressed.
How to Prepare a Schedule and a Call Sheet
Working with Actors and how to Direct Actors
Course Contents
Roles for the Film Shoot that students will do:
First AD
DOP
Focus Puller
Clapper
Sound Recordist
Boom Swinger
Gaffer
Grips
Continuity
Make up
Production
Developing a Crew
Mise-en-Scéne
Producing a Shooting Script
Before the Camera Rolls
Roll Camera
Location Sound
Continuity
Directing the Actors
Directing the Crew
Monitoring Progress
Shoot on Location: Day One
Review of the work done on location (Post-production room)
Shoot on Location: Day Two
Review of the work done on location (Post-production roo m)
Shoot on Location: Day Three
Review of the work done on location (Post-production room)
Shoot on Location: Day Four
Review of the work done on location (Post-production room) and prepare and edit your movie and to get some scenes actually edited
The Shoot on Location: Day Five
Review of the work done on location (pre-production room)and prepare and edit your movie and to get some scenes actually edited
Preparing to Edit
Getting Started on the First Assembly
Editing Principles
Coloring the film
Using Analysis and Feedback
Working with Music
Visual Effects
Editing from Fine Cut to Sound Mix
Titles, Acknowledgments, and Promotional Material
Post Work
Audio Mixing
Cleanup dialogued
Using ADR to replace location dialog
Where to place Sound Effects
Music Mixing
Closure and Reporting
Review of the Shooting Process Step by Step
Distribution
Project Deferential
Programmatic Deferential
Financial Deferential
Film Makers Certificate
Screening of the Finished Film
E-Books
Short Screenplay : Your Short Film from Concept to Production
ISBN 9781598637830
Publication Date: 2006
Film and Digital Media Production
ISBN 9780300183542
Publication Date: 2012
Visible Fictions : Cinema, Television, Video
ISBN 9780203132647
Publication Date: 1992
Dictionary of Film Finance and Distribution : A Guide for Independent Filmmakers
ISBN 9780875869957
Publication Date: 2013
Related Books
Continuity in Film and Video
by
Avril J. Rowlands
Call Number: 791.43 ROW
ISBN: 0240512901
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Film Directing: Cinematic Motion
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Sound for Film and Television
by
Tomlinson Holman
Call Number: 778.52 HOL
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The Film Director's Bag of Tricks
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Cinematography theory and practice
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The Five C's of Cinematography
by
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Call Number: 778.53 MAS
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Special Optical Effects
by
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Call Number: 778.534 PER
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Master Shots - The Director's Vision
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Master Shots
by
Christopher Kenworthy
Call Number: 777 KEN
ISBN: 9781615930555
Publication Date: 2011
Master Shots
by
Christopher Kenworthy
Call Number: 777 KEN
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Cinematic Storytelling
by
Jennifer Van Sijll
Call Number: 791.430233 VAN
ISBN: 193290705X
Publication Date: 2005
The Art of Watching Films
by
Joe Boggs; Dennis W. Petrie
Call Number: 791.43015 BOG
ISBN: 9780072556261
Publication Date: 2003
E-Books
Screen Education : From Film Appreciation to Media Studies
ISBN 9781841502373
Publication Date: 2009
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